| 08.08.2025 - 09.10.2025 |
Artists: Electric Coffin
Dare to immerse yourself in Electric Coffin's dynamic world, where everyday flora and fauna are reimagined as iconic, unforgettable figures. Their signature style is a masterclass in unexpected materials, bold graphics, and intricate layering, creating a tactile experience that resonates with both the raw beauty of decay and the promise of renewal. Each meticulously crafted piece hums with a palpable energy, embodying a protective aura or an inherent power field that surrounds and defines its subject. This is more than just an art show; it's an invitation to experience art that challenges, delights, and speaks to the vibrant pulse of contemporary culture.
| 08.22.2025 - 09.23.2025 | 6pm
Artists: Matt Flint
Step into the studio of a nature's scribe. Matt Flint presents a powerful new series of mixed-media paintings that are more than just images—they are dispatches from a world both untamed and deeply personal. Flint's signature layered technique captures fleeting moments in the wild, creating works where grand landscapes and majestic animals emerge from a haze of texture and abstraction. The tension of a controlled chaos of mark making and charged fragments unveil a narrative explosion of nature.
| 10.03.2025 - 11.29.2025 |
Artists: Beau Carey
Based in Albuquerque, New Mexico, Beau Carey is known for his immersive landscape paintings that reflect both physical encounters with remote environments and a deep questioning of how we perceive and represent space. In environments where traditional landscape conventions break down—where there’s no atmospheric perspective or stable point of reference, Carey challenges inherited ways of seeing. His compositions are built from memory and shaped by the concept of Notan, a design principle that balances dark and light. Beginning with cut-paper silhouettes drawn from remembered geographies, Carey distorts, mirrors, and reconfigures these fragments into patterns that reflect how we actually experience place: fractured by movement, time, distraction, and emotion. His paintings collapse multiple perspectives, horizons, and timelines into a single image. Forms appear as afterimages, shapes repeat and unravel, and spatial logic bends. The result is work that suggests continuity is an illusion—and that our perception of the world is far more dynamic and unstable than traditional landscape painting allows.